When I lived in Milan I knew Ania J. as that sassy, over-the-top diva in my group of girlfriends who was always harassing us to come hang out with her at Milan’s underground club Gasoline. Six years later, this Canadian vocalist has achieved Italian fame and is hard to miss in the European club culture. She’s in your face no matter what musical genre, vocalizing over beats aside top international DJs, as Masters at Work, Joe T Vanelli, Kenny Carpenter, Supernova and more.

In March 2005, Ania J. traveled to Miami for the Winter Music Conference together with producer Giacomo Godi from SUPERNOVA, representing their first single “Rock U,” which hit the top ten charts in the house genre in Europe and New York. Ania J.’s performed at various fashion ceremonies including Dolce & Gabbana, where she shared the stage with Grace Jones, and perhaps most well-known for her regular performances at Milan’s most exclusive nightclub, Chandelier Motel - the dinner theater New York’s The Box is modeled after.

Since America’s a bit behind on the vocalist bandwagon and many clubbers, myself included, don’t fully understand what a vocalist is, I sat down with this “rock star angel” to learn about nightlife through her eyes.

Can you explain what a club vocalist is?

It’s someone who wakes up the crowd and gets them involved with the music. Someone who knows how to intervene with the music, yet not over do it!

How and where did this tradition begin? When did it become popular in nightlife and why?

I used to go to raves in Canada when I was really little and saw people performing vocals at raves. So I think it’s a rave tradition. In the commercial base really started in Italy. It became really popular in Italy and that’s where I was at the time.

Why is it a bigger phenomenon in Europe than America?

I don’t know. See in America you don’t really have vocalists. A vocalist in America is a singer. I think it’s different in Europe because people really like it when you give them attention. Like people really like to hear their name called out if they’re celebrating a special occasion. The crowd likes it when you make them feel good about themselves. People like to stand out in clubs in Europe. They like to be part of the scene, part of the party. So if you involve them with the vocalist and the DJ, they feel like they’re part of the party themselves, not just going out to the club and dancing with three friends. They become one with the entire experience.

You’re originally from Canada. How did your career in music begin and how did you end up in Italy?

I was modelling before I started doing what I’m doing now - before I became a singer / vocalist. I was modelling in Europe (Paris, London, Austria, Greece) and I met this agent who brought me to Milan. And that’s where it all began. I was modelling and going out to clubs a lot. I was going out in Milan more than anywhere else. One of those nights, I drank a little bit more. I saw the mike and I grabbed it. (laughs) It’s the champagne, Dom Perignon. That’s how it all happened.

Had you ever sung before then?

No. As a child, I played the piano by ear. At age seven, I kept asking my dad for a piano. He’d ask me, “Why?” And I’d say, “Because I know I can play!”

But you didn’t have any formal voice training?

Never. No. I was always shy. I was always admiring singers. When I was ten, I remember someone asked me if I had one wish, what would you ask for? And I said I would love to sing in front of an audience of ten thousand people and feel that energy. Whenever they advertised things for kids, toys or whatever that had to do with music, I remember I always wanted them. But I never knew I could sing. I was just always attracted to music.

So after you grabbed the mike that one time, how were you able to make a name for yourself in Milan? How did you start working in nightlife?

It happened on its own. I was lost. I was a model. I didn’t want to go back home without achieving something more or discovering a new dream and knowing what to do with it. I was always very goal oriented as a kid, and I always wanted a dream: The one thing that I could call mine, focus and go for. After I grabbed the mike that one time, a friend of mine came in from Canada and had me do it again as a dare. And we were at a huge party, a fashion party for Andrew Mackenzie, in Milan.

So I went to the DJ and I lied. I told him that I knew Andrew Mackenzie and that he wanted me to take the mike. So I took the mike and started doing some vocals. I didn’t even know what I was doing. I had no clue. Then this guy Filippo Rossi, from Gasoline Club [Milan] came up to me and started asking me what I did and took my number. I wasn’t even sure if I was going to stay in Milan that summer or if I was going home. I didn’t know what I was doing. I was lost. And Filippo really took me under his wing. Gasoline was my school. Filippo believed in me. Anyone else would’ve said, “Get out of here!” cause I think I sucked in the beginning! (laughs)

Then from there people come to the club, see you, and ask you to come to their club. It’s like a chain. A domino effect. And somebody came who worked at Chandelier Motel (Milan) and asked me if I wanted to work there. I said yes and that was six years ago. And at the time I was working as a vocalist at another night in Milan called New York Bar, and I couldn’t really work both of them because they’re hot clubs in the same city – they where in competition. So I decide to try and offer to Chandelier that I would sing. I felt ready to just sing, and at New York Bar I’d just do vocalist so I could work them both. And it just so happened that they both agreed! So I did both of them one night, for one year. I was opening New York Bar, taking a cab, going to Chandelier, singing there, getting in a cab, going to New York Bar, closing the night there and then going back to Chandelier. No one’s ever done that. That was a first in the history of Vocalist!

How do you book jobs?

I have an agent / manager but I also do it myself when it comes to clients I have worked with for over the past six years. You build up a clientele through word of mouth.

Can a person make a career out of working in nightlife?

In Milan, yeah. In Italy, yes. There are vocalist that are forty-something, and they’ve been doing this for twenty years.

What are the pros and cons?

Well, you’re around a lot of alcohol and drugs. That’s the difficult part about working at night. If you’re doing three gigs a week and if you start drinking, you just kind of keep drinking and that gets tiring after awhile. Sometimes you just want to stay in and watch a film like everyone else and you can’t cause you’re working. You also don’t see your friends that much because you’re working on weekends and holidays when everyone gets together. So you’re pretty much always alone. Then if you’re travelling all the time - it’s like any artist - you’re alone all the time.

Tell me about the persona you project when you sing. I know you love wearing wigs and have an over-the-top personal style. Where did this come from?

Honestly, I didn’t really think of it before. I wanted something special. I wanted something my own. I was always really creative. I’d change my clothes from what everybody else was wearing, I’d have the same shirt as someone else, but I’d have to cut it or do something to it to make it different. I used to shop second hand a lot. I’m always looking for something different. Something that when I see it, I know it has my name on it. I really have to like the piece. I like punk-ish, yet elegant and clean. I like bright colors, but I also like black and white. I’m constantly changing. You never know with me. Like with the wigs. I used to wear wigs just going out. You don’t have to style you hair and you get into this other character. You make this big impact. You feel big with a wig! I love big hair. My hair is so thin, and there’s so little you can do with my hair. If I had a huge afro, I’d just leave it like that.

Where’s your favorite place to perform?

Chandelier Motel. Antonio Coppola makes up great choreographies and he always makes me look outstanding on stage surrounding me with dancers acrobats special effects…a little club stage becomes a circus and I love it!!!!

Do clubs need vocalists? Why? What do you bring to a party?

It depends on the club. If it’s really deep house and people just want to go and be in their own little world and dance, than I don’t think they need a vocalist. Sometimes a vocalist can help involve the crowd in the party - and give them something extra. You vocalise and reach out with your voice and energy to them and you’re giving them something. Not just saying, ‘Put your hands up!’ and if you’re singing, you’re really giving them something.

What’s your favorite kind of music?

I don’t have a favorite kind of music. I love music. I love classical music. I love hip hop. I love rock. I love punk, rockabilly, Mozart, house, club, electro. If the song has a good beat, good lyrics and a good melody it could be anything. It could be a country song. I like Garth Brooks. I love Bob Dylan. It’s the song in itself. And I’m such a chameleon with everything, with fashion and music, that I could never just stick to one style.

Can you tell us some of your favorite artists or DJs?

A lot of DJs from New York are not used to working with vocalists. More of the bigger European DJs are okay with it, like David Guetta, Dimitri from Paris, although he was a little skeptical about having a vocalist at first. Other good DJs and club scene artists: Supernova (Italy), Pete Tong, Bruno Bolla (Italy), Princess Superstar, Deep Dish, Joe T Vanelli, Moloko, Peaches (She’s Canadian!)

What’s a vocalist’s relationship with the DJ? Do you two have to be perfectly synergized? Are there ever feuds?

A good vocalist doesn’t work well because of the DJ, they work well because of the music. You have to have the rhythm in your heart and you have to listen. You have to know when he’s mixing. And when he’s mixing, you shut up. When he’s playing and there’s a singing song, you don’t sing on top. That’s where a lot of vocalists go wrong. They sing on top and they ruin the song. You listen to the music and you stay out of the DJs way. You do your own thing. You weave yourself in with the music and the rhythm.

How do you know when to sing and when to shut up?

I feel it. It’s instinct. And I try not to overdo it. I said I try!!!! (laughs)

Do you have every house song in the world memorized?

Are you crazy? I don’t even know the names of the songs. I’ve been working with house music for the past six or seven years. I’ve heard some songs a thousand times and I don’t know the words. When I work I get lost. In my work, in the music, in the people. I’m not there for the DJ. You want to blend in with his music but stand out on your own.

Can a vocalist ever over do it and detract from the music, making a party worse?

Yeah, they can. If they’re screaming all the time. If they’re talking too much. I wouldn’t want to go to a party if I heard one of my favorite songs and someone started yelling over it ‘Put your hands up!’ and screaming at the top of their lungs all the time. Say what you need to say, make it short, make it sweet, and shut up!

Do you sing words? How do you know what to say?

Yeah! I sing words. Or I sing vocals. Skats. I wrote poetry as a child and I love rhyming words and it just comes to me. I pick at things. Like I’ll see a couple fighting in the audience and I’ll hear a beat and I sing -

He loves me

He loves me not

He loves me

He loves me not

Because you get it from them. They feed it to me.

Have you ever been booed off stage or sang for crowd that just wasn’t feeling it?

No, but I was really paranoid at the beginning. If people were looking toward me and laughing I’d always think they were laughing at me. But I think every artist goes through that.

How do you energize a crowd?

I just get in front of the crowd usually in front of or aside the DJ. I grab the mike and begin by announcing the DJ, myself and the party. This usually gets everyone going (it all depends on how you say it). I wait for the pause in the music, this way they can hear me more. I rehearse what I’m about to say in my mind by memorizing names…dates…the event the city I’m in… Sometimes I’ll ask the DJ how long the pause is before the beat kicks in, this way as I’m going up with my voice the music will kick in at the right time of my intro.

What was your best clubbing experience ever?

I used to love going to raves when I was younger. Because of the music. I loved jungle. And I loved dancing. I was in the best shape of my life back then.

Favorite club to go to?

I don’t really like crowded clubs. I like smaller clubs. Only when I’m working do I like big clubs because I like being on stage. I like Gasoline Club Milan because it’s so underground. It’s so tiny and it has its own character. And they change every year. They paint. So one year it’ll be a Barbie theme and everything is pink and gold and then they’ll have a war theme with messages about peace and love written on the wall - its’ like walking into a comic book.

Tell me something you love about New York nightlife.

It all depends on the club you go to…in New York where I was performing at the Mansion, people where going insane dancing and jumping up and down I loved it…but I notice that people in New York prefer more intimate clubs…like The Box, GoldBar… where they can hang with a close group of friends.

Favorite Song?

“Blowing in the Wind” by Bob Dylan

Favorite drink?

Green tea because it’s detoxifying.

Favorite cities to perform?

Milan, New York, Switzerland

Future plans?

I have been working with dual DJ’s producers Supernova (Giacomo Godi, Emilliano Nencioni) in Milan, Italy for the past four years. We have come out with s few singles on the house charts in Europe and U.S. as well as our first album last year Supernova (Downtown Underground), where four of the songs on the album where co-written with me. Two of the songs came out as singles. Silence is the Enemy, & Dude. You can hear the songs and see the videos on www.myspace.com/anotherblondeakaaniaj

I am also working on my own album coming out soon, “Sex, Detox and Rock ‘n Roll.” So keep in touch New York!

Just when you’re trying to enjoy yourself at a space saucer like Mansion where the music’s intense, the disco lights are trauma-inducing and it takes twenty minutes to scale the six staircases to the bathroom, the club fades to black and a girl with butterflies in her cascading hair starts busting out some opera. Because isn’t this why we all go to clubs? To hear whacky versions of Verdi?

I’m confused.

I’ve known Mansion is into doing shows: Last time, I witnessed some electronic string quartet jam along with the DJ. Naturally, everyone remained bewildered about whether to continue dancing or to give the string instruments their full attention while sitting attentively feigning an interest in art. This is what I don’t get. Mansion is as clubby as a club gets. No amount of luxury renovation can kill the Crobar spirit that permanently haunts this space. Why the bouts of Lincoln Center?

Are they trying to pull a theater thing like The Box?

Are they trying to culture the club experience?

Do they consider such spectacles a selling point?

How much is this costing them on top of their frightening rent?

I’m thirsty for theater as much as the next overworked New Yorker, but is when I’m chilling with my fifth cocktail really the time I want it chucked in my face?

Next time at Mansion, I’ll consider packing both earplugs and opera glasses.

Miss Model Behavior’s the new nightlife writer for theBlaqlist.com. Feel free to post any nightlife comments or questions on our forum or contact her at MissModelBehavior@theBlaqlist.com

Lollipop’s a hybrid bar-club on 61st and Madison. While in no way a destination hot spot, get the right group of friends together and you can have a stellar night there on a weekends. Be forewarned that the place is shoe box level small. It’s sort of like a hallway turned disco that you have to slither through to get to the back bar.

The people problem’s a double-edged sword because if Lollipop’s empty the vibe’s not that fun, if it’s crowded it can feel like a miniature mosh pit. This is where alcohol intake comes in. Let loose and drink enough and you won’t mind bumping shoulders (and other body parts) with the crowd. Girls can also hop up on the couches and tables to dance and get some oxygen.

Suits swarm the bar after work but late night it’s a stereotype free for all. Don’t miss the cool color-sensor-screen thing at the entrance. It tracks your movement and makes you look like one of those now cliché iPod billboards.

Why the place is called Lollipop remains unclear, but it never fails to make me think of the unbelievably annoying Lollipop song below, which then is usually stuck in my head anywhere from hours to days. Just in case you’re not feeling nuts enough already, I’ve provided it here. If you decide to give Lollipop a lick, make sure to sing this as you skip in.

Miss Model Behavior’s the new nightlife writer for theBlaqlist.com. Feel free to post any nightlife comments or questions on our forum or contact her at MissModelBehavior@theBlaqlist.com